Artist Case Study

The projects below are chronicled to illustrate the progression and evolution of my work through a UX design lens.

 

Painter and muralist

2015-2020

Intro

I began to pursue creating art as a secondary source of income as well as a passion project back in the spring of 2015. I have since had numerous commissions and public works from paintings to murals.

 

 Process

Research Methods

I conducted research methods to understand who my user is and understand their needs

 
 
 
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Persona

My User

 

Art Collector

 
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Characteristics

  • 25-60 years old

  • annual salary: $40K - $200k+

  • Engaged in the art scene

 

Pain Points

  • Difficult to find new artists

  • Price can be an issue for certain income levels

 

Needs

  • To collect new and interesting art pieces

  • To have accessible purchasing options

  • Wants to support the artists


Analysis

Comparative Analysis

 

Compared Kyler Martz, Sophie Roach, and Jennifer Ament’s artwork and their promotion styles.

 
 
 

Kyler Martz

  • Classic Sailor Jerry style work, with elements of Art Nouveau

  • Mainly women figure and NW inspired scenes

  • Tattoos, murals, prints and sculpture work

  • Promotes via Instagram, website, and works visible through the Seattle

Sophie Roach

  • Colorful psychedelic, fun, shapes and lines to create abstract images

  • Sketches, pen and ink, and large murals

  • Promotes via Instagram, website and collaborations with large companies

Jennifer Ament

  • Minimalist line and figure work with elements of Memphis

  • Encaustic painting, printing and large murals

  • Promotes via Instagram, art galleries, and non-profit events


Project

Colorful abstract Sketches

Began with creating repetitive colorful abstract organic forms using pen and ink. This was my first attempt at this style of work and worked to create and define my own style.

 

Insights

  • People really responded to this style of work and were fascinated by the detail

  • Worked on trying to take this work to the next level and see the limits within this style

  • Iterated this style over 40 times to really understand and perfect my craft

 

Iterations

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Project

Brian Paquette Interiors

Commissioned by Brian Paquette Interiors to paint a large 5’x7’ painting to reside in an apartment’s main lobby in Seattle.

 

Insights

  • I didn’t sketch out any ideas before painting and became very frustrated

  • Should always make a smaller version first as a “blueprint”

  • Because of the lack of a “blueprint” I had to make many corrections through the project

 

Process

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Deliverable

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Project

South Park Light Box

Selected to paint and design and light box for Seattle City Light in the South Park Neighborhood in Seattle.

 

Insights

  • Submitted 3 designs to a “call for artists” from the city of Seattle

  • First time painting a light box and there was definitely a learning curve

  • Translating the design onto the light box took longer than thought and took a few tries to get the scale right

 

Ideation

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Process

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Deliverable

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Project

“One of Many”

Commissioned by a local art collector to paint a 22”x 30” gouache painting on paper

 

Insights

  • Given complete artist freedom on this piece and decided to work in gouache for it’s delicate nature

  • First time painting for a collector and was nervous they wouldn’t care for the work, so focused on what I wanted to do and the work, so as not to get overwhelmed and paralyzed with anxiety

  • Created a new technique and style for this work and has continued to influence my work ever since

 

Process

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Deliverable

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Project

“I want to break free”

Commissioned to paint a “live” painting on a window during an event at The Skyview Observatory at The Columbia Tower in downtown Seattle

 

Insights

  • Never done a “live” painting before and I had a time limit of 3 hours to complete the painting, so i had to have the design be interesting enough but simple enough to finish in time

  • Never painted on window and had to do research into what paint works best on a window and is easy to clean. I ended up using chalk board markers

  • This was a new medium so i had to do a little practicing to understand how best to work with it

  • This was a LGBTQ+ Pride event and they wanted it to be representative of the Pride movement

  • Initially the title was going to be “Look How Far We Have To Go” but the curators preferred “I Want To Break Free”

 

Process

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Deliverable

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Project

“You and I will be always be back then”

I was recently commissioned, along with many artists, to paint a 8’x20’ mural on one of the boarded up businesses during the Covid-19 shut down in Capitol Hill neighborhood in Seattle. This represents the connection between people and their spirits and how time and connection are never-ending.

 

Insights

  • This is the first time I have painted a mural this size by myself and needed to plan for scale

  • My scale was too small and my design was too detailed so it took me a longer than expected

  • Was given artistic freedom except they wanted something colorful

  • Didn’t realize how therapeutic it would be for me and for the community for dealing with the effects of Covid-19. It was really amazing seeing the community response

 

Ideation

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Process

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Deliverable

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Takeaways

What I Learned

 
  • That I am never done learning and challenging myself. I grow and learn with every project

  • To trust in myself and my own creative energy

  • The more I work on projects the more I work to define my style and differentiate myself

 

 

Case Studies